"Love and Monsters" / Kelly Thompson, writer Travel Foreman, artistĪmazing Spider-Man #77 / Kelly Thompson, writer Sara Pichelli, artistĪmazing Spider-Man #78 / Kelly Thompson, writer Sara Pichelli with Jim Towe, artistsĪmazing Spider-Man #78.BEY / Jed MacKay, writer Eleonora Carlini, artistĪmazing Spider-Man #79-80 / Cody Ziglar, writer Michael Dowling, artist."Kafka" / Zeb Wells, writer Ivan Fiorelli, artist."Janine" / Zeb Wells, writer Ivan Fiorelli, artist."Test Drive" / Zeb Wells, writer Patrick Gleason, artistĪmazing Spider-Man #74.So it's not a jumping-on point so much as a proceed-with-caution sign.Ĭontains material originally published in magazine form as Amazing Spider Man (2018) #74-80 and #78.BEY and Free Comic Book Day 2021: Spider-Man/Venom.Īmazing Spider-Man #75-76 / Zeb Wells, writer Patrick Gleason, artistįree Comic Book Day 2021: Spider-Man/Venom
And while Spencer is gone, this is a round-robin effort by four different writers and a half-dozen or more artists to produce a generic corporate comic book about a generic corporate superhero. and Ben Reilly is no Peter Parker regardless of what any DNA test might say. I skipped the Nick Spencer run of Spider-Man and thought this might be a jumping on point to revisit my old friend Pete, but, whoops, Pete is M.I.A. The Daughters of the Dragon duo, Colleen Wing and Misty Knight, get shoehorned in as freelance employees of Beyond Corporation so they can train Reilly and look suspiciously at the very suspicious corporate leadership. Conveniently, Peter Parker gets sidelined with a pesky coma while Reilly runs around getting the hang of the hero thang and his fancy new high tech suit and gadgets. Ben Reilly - Peter Parker's clone and the erstwhile Scarlet Spider - returns to take up the mantle of Spider-Man on behalf of a corporate sponsor that has come into possession of the trademark.
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